








Gaudí's first works were designed in the style of gothic and traditional Spanish architectural modes, but he soon developed his own distinct sculptural style. Some of his greatest works, most notably La Sagrada Família, have an almost hallucinatory power.
He integrated the catenary arch and hyperboloid structures, nature's organic shapes, and the fluidity of water into his architecture. While designing buildings, he observed the forces of gravity and related catenary principles. (Gaudí designed many of his structures upside down by hanging various weights on interconnected strings or chains, using gravity to calculate catenaries for a natural curved arch or vault.)
Using the trencadís technique, Gaudí often decorated surfaces with broken tiles, plates and other ceramics from the city. His work is EVERYWHERE!
It could be compared with the steep cliff walls in which African tribes build their cave-like dwellings. The wavy facade, with its large pores, reminds one also of an undulating beach of fine sand, formed, for example, by a receding dune. The honeycombs made by industrious bees might also spring to the mind of the observer viewing the snake-like ups-and-downs that run through the whole building.
The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work. It seems that the goal of the designer was to avoid straight lines completely.
Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues.
The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George (patron saint of Catalonia), which has been plunged into the back of the dragon.
Perhaps it was because of this unfortunate sequence of events that Gaudí changed. He became reluctant to talk with reporters or have his picture taken and solely concentrated on his masterpiece, La Sagrada Família.
On June 7, 1926, Gaudí was run over by a tram. Because of his ragged attire and empty pockets, many cab drivers refused to pick him up for fear that he would be unable to pay the fare. He was eventually taken to a pauper's hospital in Barcelona. Nobody recognized the injured artist until his friends found him the next day. When they tried to move him into a nicer hospital, Gaudí refused, reportedly saying "I belong here among the poor." He died three days later on June 10, 1926, half of Barcelona mourning his death.
He was buried in the midst of La Sagrada Família. although Gaudi was constantly changing his mind and recreating his blue prints the only exsisting copy of his last recorded blue prints were destroyed by the anarchists in 1938 at the hight of Francos invasion on barcelona. This has made it very difficult for his workers to complete the cathedral in the same fashion as gaudi most likely would have. It is for this that Gaudí is known to many as "God's Architect". La Sagrada Família is now being completed but differences between his work and the new additions can be seen.
As of 2007, completion of the Sagrada Familía is planned for 2026. However, this may prove wildly optimistic if the worst fears of many eminent engineers and architects are realized. These have pointed out the structural dangers posed by a tunnel for a TGV-style high-speed rail, which would run within feet of the church’s foundations; one might note the precedent of one metro tunnel in Barcelona’s Carmel district that collapsed and destroyed an entire city block on the 27th of February 2005.
As you climb the hilside you pass by a spice market. The smell at this spot is heavenly and you can tell it is there before you round the bend.
As you enter Eze you get a chance to look down on it's terraced gardens.
Eze is famous worldwide for the view on the sea from the top of its hill, and it is a renowned tourist site on the French Riviera. Eze is perched like an “eagle's nest” on a superb cliff located 427m above sea level which enables the village and its church (Notre Dame de l’Assomption built in 1764) to be seen from afar. Inside the church, an Egyptian cross acts as a reminder that the roots of the village dates back to the time of the Phoenicians, when they erected a temple there to honour the goddess Isis.
The small medieval village is famous for its beauty and charm. It has many shops, art galleries, hotels and restaurants that attract a large number of tourists and honeymooners. As a result Èze has become a "museum village", few local residents live here.
The motto of the village is the phrase: "Isis Moriendo Renascor" (meaning "In death I am Reborn") and its emblem is a Phoenix perched on a bone.
The museum houses remarkable collections of various species of sea fauna both stuffed and in skeletal form. The museum's holdings also include a great variety of sea related objects, including model ships, sea animal skeletons, tools, weapons, etc. Including this yellow two man submarine. No word on if the beatles knew about it.
An aquarium is housed in the basement of the museum which showcases a spectacular array of flora and fauna. 4000 species of fish and over 200 families of invertebrates can be seen. It features a presentation of Mediterranean and tropical marine ecosystems. Jacques Cousteau was its director for many years, beginning in 1957.
Saint Nicholas Cathedral, known also as Monaco Cathedral, is the
cathedral where many of the Grimaldis were buried, including the most beloved Princess,
Grace Kelly and more recently,
Rainier III. It has also been the site of a few weddings.
The cathedral was consecrated in 1875, and is on the site of the first parish church in Monaco built in 1252 and dedicated to St. Nicholas.